Bangladesh’s music and film enthusiasts are witnessing the return of a timeless classic. The song “Ei Mon Tomake Dilam”, immortalised in the 1982 film Manosi, has been reinterpreted 44 years later by the country’s legendary singer, Sabina Yasmin. This rendition is more than a simple reprise; it is a bridge connecting generations, blending nostalgia with contemporary musical sensibilities.
Originally penned by the distinguished lyricist, composer, producer, and director Gazi Mazharul Anwar, with music composed by Anwar Parvez, the song has now been refreshed for modern audiences. The new version incorporates additional lines written by young singer-songwriter Tanmoy Parvez, while the musical direction by Arafat Mohsin injects contemporary energy, making the melody resonate with today’s listeners.
The recording also features the voice of rising star Momin Biswas, symbolising a dialogue between generations. The session, recently completed at a Dhaka studio, marked a memorable collaboration between seasoned and emerging talent.
Reflecting on the project, Sabina Yasmin said:
“I truly enjoyed working on this new rendition. Collaborating with the younger generation of artists has been an inspiring and joyful experience.”
Momin Biswas expressed his excitement:
“Singing alongside Sabina Yasmin feels like a dream come true. This is undoubtedly one of the most unforgettable moments of my musical journey.”
The fusion of original and newly added elements promises to deliver an emotive experience reminiscent of the 1982 version, while the contemporary arrangements ensure the song’s relevance in the modern era.
Comparison of Original and New Versions
| Feature | 1982 Version (Manosi) | 2026 Version (Dom) |
|---|---|---|
| Film | Manosi | Dom |
| Singer(s) | Sabina Yasmin | Sabina Yasmin, Momin Biswas |
| Lyricist(s) | Gazi Mazharul Anwar | Gazi Mazharul Anwar, Tanmoy Parvez |
| Composer | Anwar Parvez | Anwar Parvez |
| Music Director | – | Arafat Mohsin |
| Recording Location | – | Dhaka Studio |
This reinterpretation is not merely a cover; it represents an intergenerational dialogue, blending past and present harmoniously. As in 1982, this song is expected to leave an enduring mark on audiences, evoking both nostalgia and renewed enthusiasm.
The new rendition will officially debut in the upcoming film Dom, anticipated as a heartfelt musical celebration for Bangladesh’s younger generation of music lovers.