Remembering Artist Qayyum ChowdhuryQayyum Chowdhury, one of the most revered names in the art arena of Bangladesh, remains a distinguished figure whose contribution shaped the modern visual landscape of the country. The colours, forms and compositions he introduced are now invaluable elements of our artistic heritage.
He was born on 9 March 1932 in a declining zamindar family in Feni. Although the family lacked financial affluence, it was enriched with education, culture and liberal values, which later nourished his creative foundation.
He worked with remarkable skill in diverse mediums—oil, watercolour, ink, wax colour and serigraphy. A notable feature of his artistic language was the prominent use of geometric forms. Bold designs set against colourful backgrounds defined his unique style, easily recognisable from afar.
His use of colour possessed a distinctive vibrancy. Red, blue and green—these three dynamic shades frequently illuminated his canvases. This characteristic colour scheme often aligned him with the artistic spirit of Henri Matisse, though his work remained deeply rooted in the life and culture of Bangladesh.
Folk motifs were another strong component of his artistic vision. Dolls, fans, earthen pots, mats and quilt designs—these familiar elements of rural Bengal appeared repeatedly in his paintings.
Square-shaped compositions dominated much of his work, reflecting his affinity for simple geometric balance.
For his outstanding contribution to art, he received—
Ekushey Padak in 1986
Sufia Kamal Award in 2010
This celebrated artist passed away on 30 November 2014.
Yet his colours, lines and compositions will forever remain luminous in the art history of Bangladesh.
SS