Today marks the seventh death anniversary of Bari Siddiqui, the celebrated Bangladeshi folk musician whose heartfelt voice and soulful flute melodies captivated generations of listeners. He passed away on this day in 2017. Although he received immense admiration and respect during his lifetime, he often confessed to close friends that he felt unfulfilled. “I thought something bigger would happen,” he would say. “But life didn’t quite turn out that way.”
Siddiqui’s journey into music began in childhood. Growing up in a culturally vibrant household, he developed a deep spiritual connection with both song and flute. His mother, though musically gifted, rarely sang publicly due to social restraints, yet she remained his greatest inspiration. Despite his tireless practice, recognition as a flautist eluded him for many years. Instead of praise, he often faced criticism, which left him disheartened. Gradually, he shifted towards vocal performance—and when he finally began singing, audiences were stunned. Many wondered how such a remarkable voice had remained hidden for so long.
Ironically, though he believed the flute was his true artistic identity, Siddiqui became widely recognised in Bangladesh primarily as a singer. International audiences, however, admired him deeply for his flute performances, adding to his sense of bittersweet achievement.
Apart from singing, he was an accomplished composer, creating melodies for renowned artists such as Subir Nandi, Monir Khan and Asif. Yet even during his busiest years as a composer, he continued to question whether a flautist in Bangladesh could ever receive due recognition.
His popularity soared through collaborations with author and director Humayun Ahmed. Songs such as “Shua Chan Pakhi,” “Ami Ekta Jinda Lash,” “Manush Dhoro Manush Bhojo,” and “Amar Gaye Joto Dukkho Shoi” remain deeply nostalgic for fans and have secured his place as an irreplaceable figure in Bengali music.
To honour his memory, the Bari Siddiqui Memorial Council is hosting a prayer gathering this evening at its Rampura office, where admirers and supporters are expected to attend.
Television channel NTV will air a special segment of Aj Sokal-er Gaan at 8:30 am, featuring singer Prince Alamgir performing Siddiqui’s iconic pieces including “Shua Chan Pakhi,” “Manush Dhoro Manush Bhojo,” “Pubali Batase,” “Dekhbe Khodar Mohan Chhobi,” “Poroshmoni,” “Ogo Bhabi Jan Nau Baiya,” and “Amar Doyal Re,” among others. Viewers’ requests will also be accommodated. Several other channels are preparing similar tributes throughout the day.