Prominent figures from Bangladesh’s cultural landscape have outlined their expectations from the incoming government, emphasising the need for transparent policies, safe and independent work environments, and merit-based recognition. Among them, Hamin Ahmed, a celebrated member of the renowned band Miles, has voiced these demands, highlighting the pressing challenges faced by musicians, actors, and other cultural professionals, and underlining the necessity of active governmental support.
During an extensive discussion on the state of the music industry and the welfare of artists, Ahmed stressed the lack of formal recognition for creative professions. “Over the country’s 54-year history, much has changed, yet the music profession remains without proper state acknowledgment. The next government must ensure official recognition for this sector. During times of crisis or unrest, cultural professionals are often unfairly criticised. The government should explicitly declare that such injustice will not recur. The public has the right to know this,” he said.
He further highlighted the professional dignity of artists, stating, “When any government invites an artist to perform or contribute to an event, that artist should not face derogatory labels or public criticism. The professional status of musicians and other cultural workers must be upheld. The government must pay attention to all individuals involved in arts and literature.”
Ahmed also criticised the lack of Commercially Important Person (CIP) recognition for artists. “Artists earn their living, pay taxes, yet receive minimal social acknowledgment. In many countries, artists are universally respected, but in our system, this is not the case,” he remarked.
Among his proposals is the introduction of music education from primary school onwards, which would foster students’ cognitive and emotional development while enhancing societal appreciation of the arts. He also called on the government to ensure that artists can perform safely and freely across the country.
On professionalising the music industry, Ahmed observed, “Music is not merely an activity; it must be recognised as an art form. By following the examples of India and other countries, we can develop music as a professional and commercial sector. The government, if willing, can provide guidance and support in this endeavour.”
The table below summarises the key demands of artists and potential government initiatives:
| Issue | Current Situation | Artists’ Expectations | Proposed Government Initiative |
|---|---|---|---|
| State Recognition | None | Ensure professional status | Grant CIP recognition; issue clear policy statements |
| Work Environment | Unstable, insecure | Safe and independent workplaces | Ensure security; facilitate unhindered performances |
| Education | No formal music curriculum | Introduce music from primary level | Include music classes in school curriculum |
| Artist Dignity | Frequently overlooked | Recognition as professionals | Enhance respect; provide government support |
| Music as an Art Form | Not formally established | Professionalised music industry | Develop music as commercial and professional sector |
Ahmed’s message is unequivocal: safeguarding the dignity, safety, and independence of cultural professionals is a fundamental responsibility of the state. If the incoming government addresses these demands, Bangladesh’s cultural sphere could evolve into a more vibrant, sustainable, and globally respected environment.