Legacy of Pilu Momtaz

“Ekdin To Chole Jabo, Porer Ghoroni Hobo” was once among the most widely recognised songs in Bangladesh. The song achieved enduring popularity through the distinctive voice, melody, and stage presence of Pilu Momtaz, one of the notable figures of Bangladeshi pop music during the 1970s and 1980s.

Pilu Momtaz became known for her lively performances and recognisable vocal style at a time when modern Bengali pop music was gaining widespread popularity in the country. From television appearances to live stage performances across Bangladesh, she remained a familiar presence for audiences over many years. Her participation in the widely watched Bangladesh Television programme “If You Do Not Mind”, hosted by renowned producer and presenter Fazle Lohani, brought her substantial public recognition.

During that period, she regularly performed alongside several leading names in Bangladeshi pop and modern music, including Azam Khan, Ferdous Wahid, Fakir Alamgir, and Firoz Sai. Through these performances, she established herself as a familiar and respected artist among audiences of the era.

In 2001, Pilu Momtaz appeared once again on Bangladesh Television in the popular magazine programme “Ityadi”, alongside several contemporary artists. During the programme, the song “Days Come and Days Pass, the World Changes” was performed, a presentation that continued to be remembered by viewers for its association with changing times and musical nostalgia.

Pilu Momtaz was also associated with a strong musical heritage. Her father, Momtaz Ali Khan, was regarded as a prominent figure in Bengali folk music. Growing up within that musical environment contributed significantly to the development of her artistic identity and musical style.

Born in Dhaka in 1953, Pilu Momtaz had family roots in Manikganj. Outside her professional career, she was known for maintaining a private and simple personal life. She died on 22 May 2011, leaving behind her husband, Lieutenant Colonel Anwaruzzaman, and their only daughter, Homayra Zaman Mou.

Her contribution remains closely associated with a formative period in Bangladeshi pop music, particularly through her television performances and stage appearances during the 1970s and 1980s.