Pritam Hasan, who rose to prominence at a young age through his work on several successful film soundtracks, has announced a temporary withdrawal from playback singing in cinema. The decision has sparked considerable discussion among fans and industry observers, while also signalling his renewed commitment to independent music.
In recent remarks, Hasan explained that he had been reflecting for some time on his growing involvement in film-based compositions. Although this work brought him widespread recognition, he indicated that his artistic identity has always been more closely aligned with independent musical expression. He noted that audiences continue to respond strongly to his earlier EP-style releases, particularly those issued in 2023, which remain popular among listeners and frequently referenced by fans as some of his most authentic work.
According to Hasan, remaining confined to a single creative format can gradually restrict an artist’s development. He suggested that repetition and predictability may dull creativity over time, ultimately affecting both artistic satisfaction and long-term career progression. As a result, he expressed a desire to step away from being directed by fixed cinematic requirements and instead pursue more flexible and self-driven projects.
A recent example of this direction is the collaborative project “Dwitiyo Nayok” (“Second Hero”), developed with filmmaker Nuhash Humayun. Hasan described the concept as being rooted in themes of marginalisation and the emotional experience of being overlooked. What began as informal discussions between the two creative partners gradually evolved into a structured audiovisual project. He emphasised that their longstanding friendship played a key role in shaping the project’s creative process.
Hasan also expressed satisfaction with the casting choices in the production. He praised newcomer Malaika for fitting the role naturally, while noting that actor Mir Rabbie’s presence significantly strengthened the overall visual narrative. He highlighted the importance of spontaneity and diversity in selecting performers, suggesting that such openness often enhances creative outcomes.
Turning his attention to the broader music industry, Hasan commented that Bangladesh’s contemporary music scene is currently supported by a growing number of emerging talents. He specifically mentioned artists such as G M Ashraf, Jahid Nibir, and Ankon Kumar, stating that their contributions are enriching the country’s musical landscape. He stressed the importance of providing greater opportunities for independent musicians, arguing that their continued development is essential for sustaining innovation in the industry.
The key figures and projects discussed are summarised below:
| Category | Details |
|---|---|
| Main Artist | Pritam Hasan |
| Collaborator / Director | Nuhash Humayun |
| Audiovisual Project | Dwitiyo Nayok (“Second Hero”) |
| Featured Performer | Malaika |
| Supporting Performer | Mir Rabbie |
| Contemporary Musicians Mentioned | G M Ashraf, Jahid Nibir, Ankon Kumar |
Overall, Hasan’s comments underline a clear shift in his creative direction. While acknowledging the success he has achieved in film playback singing, he emphasised the necessity of evolution and experimentation in sustaining a meaningful artistic career. His planned return to independent music suggests the beginning of a new and potentially transformative phase in his professional journey.